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表演

3月24日(週二)

晚上9:00至9:50

OPERA ECHOES: A Contemporary Ritual

KaKa

Kaka inhabits the space between centuries, bridging the gap between traditional operatic artistry and contemporary subcultural energy. By anchoring classical Peking opera vocals and reimagining stylised movements within the framework of electronic beats, Kaka translates the symbolic power of the traditional stage into an experimental landscape of sound and fashion. In this cross-disciplinary ritual, the rigid aesthetics of the past are deconstructed and reimagined—inviting audience to find their own pulse within the echoes of the past. About KaKa Kaka is a Chinese performer who blends Peking Opera with contemporary subculture and artistic expression. Using traditional opera as his core language, he combines classical vocal techniques and movements with contemporary music, fashion styling, and experimental visual aesthetics, creating a distinctive cross-disciplinary performance style. In recent years, through self-media platforms and live stage performances, Kaka has been exploring new ways for traditional culture to exist within a contemporary cultural context, gradually building a recognizable presence among younger audiences. His work focuses on Eastern aesthetics, gender-fluid expression, and subcultural energy, seeking to create new connections between tradition and modern culture. By reinterpreting Peking Opera in unconventional settings, Kaka brings this classical art form into dialogue with contemporary music, fashion, and performance culture.

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​座談(英文)

3月26日(週四)

下午12:00至1:00

Rethinking the Art Crit

Ajay Kurian

Joseph Chen

The art critique is one of the defining experiences of art school: a moment when artists place their work in front of others and invite honest response. At its best, the crit can illuminate new possibilities in a practice. At its worst, it becomes a ritual of judgment, an intimidating performance that many artists encounter only once before leaving school. But what happens after that? At a time when independent criticism, media, and artist-run spaces are disappearing, the question of how artists speak to one another about their work has become more urgent than ever. How can critique move beyond academic institutions? And how can it adapt to different cultural contexts rather than simply reproducing inherited Western frameworks? This conversation brings together artist, writer, and NewCrits founder Ajay Kurian with Joseph Chen (artist, curator, Director of Culture at Eaton HK, and co-founder of Virtue Village) to explore new models for critique today. Drawing on their experiences building artist-led platforms and communities, they will discuss how critique can function as an ongoing practice of dialogue, mentorship, and critical care—one that supports artists not just in school, but throughout their lives. Together they will consider how artists can create spaces for thoughtful feedback outside traditional gatekeeping structures, and how critique can evolve to reflect the cultural and social realities of the communities in which it takes place. About Ajay Kurian Ajay Kurian is an artist, educator, and writer. Kurian employs a fluid, multimedia vocabulary which aims to articulate the social and environmental conditions that govern both our worldly and transcendental faiths. His work often tries to bridge the gap between the local and the cosmic. He is the founder of NewCrits, a global platform for virtual studio mentorship for artists of all backgrounds and experience. NewCrits is an ecosystem for artists built around critical care—mentorship, criticism, writing, and conversation—all designed to imagine what art education could look like beyond the traditional degree. Kurian lives in Brooklyn, New York. He holds a BA from Columbia University in Visual Arts and Art History. About Joseph Chen Joseph Chen King Yuen (he/they) is a curator and artist based in Hong Kong. Their curatorial practice is hybrid and fluid, seamlessly bridging the realms of visual art, performance, moving images, and marginalized cultures within both institutional and independent spheres. They are currently the Director of Culture at Eaton HK, a purpose-driven hospitality company where he curates cultural and social initiatives and builds community among artists, changemakers, and marginalized groups. Additionally, they are the co-founder of Virtue Village, an art initiative that creates works connecting humans to spirituality and intimacy while exploring themes of queer culture, fetishism, and posthumanism.

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表演

3月27日(週五)

下午5:30至6:30

EXIT / EXIST

Wong Sin

“I envision cold, lifeless matter awakening into being. When the inorganic learns to breathe, it remains voiceless yet quietly alive, nurturing a hush that lingers beside the lonely. I grieve the fleeting and frail nature of life, bowing beneath the dominion of time, sometimes pierced by the sharpness of reality. Yet I believe that cruelty and beauty coexist — the rotting heart laid open beneath the sun, while the spirit endures, unextinguished.” About Wong Sin Wong Sin grew up in Hong Kong and is currently based in Tokyo. Her practice spans poetry, performance, installation, and painting, interweaving philosophical inquiry with an enigmatic personal aesthetic. She navigates the delicate connections between inner experience and the material world, examining the complex relationships between human consciousness and the environment. Her artworks seek to articulate a poetic existence within contemporary art. She has exhibited and performed internationally at venues and festivals such as the Festival Kebudayaan Yogyakarta Indonesia (2025), Hart Haus (2024), Hong Kong × Taiwan Performance Art Night (2024), Para Site (2024), Art Basel “Rendez-vous” (2024), Art Central (2024), Pointsman Artspace (2023), Floating Project (2021), and Eaton Hotel Hong Kong (2021), among others.

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​座談(英文)

3月28日(週六)

下午4:00至5:00

Alternative Art Fairs: Who Are They For?

Amy Kim

Hidenori Suzuki

Jeffrey Ian Rosen

Willem Molesworth

Alternative, experimental, and often self-organized art fairs have existed in tandem with institutionalized global art events for decades, with models such as Basel Social Club, Onsen Confidential, Art Collaboration Kyoto, and Paris Internationale developing out of a need for more personalized and responsive experiences. Yet as the global art landscape becomes increasingly centralised, how do these alternative art fairs continue to adapt and respond to on-the-ground conversations, maintaining intimacy over scale? This panel talk addresses the balance between transactional and experimental spaces, questioning how non-traditional settings can redefine the showing and selling of contemporary art. By focusing on a "smaller and deeper" model, the panel discusses how independent fairs maintain relevance through collaborative, medium-specific and site-sensitive approaches This talk brings together a group of organisers: Amy Kim (Loop), Hide Suzuki (ACK), Jeffrey Rosen (Misako and Rosen/Onsen Confidential), and Willem Molesworth (PHD/Supper Club/Pavilion), who are collectively dismantling the art fair structure and rethinking traditional models. About Hidenori Suzuki Hidenori Suzuki oversees gallery relations, overall venue planning, and the development of curatorial projects at Art Collaboration Kyoto. A Kyoto-based art producer, he has been involved with ACK since its preparation phase in 2019. Previously, he worked with KYOTOGRAPHIE International Photography Festival (2014–2017) during its formative years and was the Technical Director of ART360, a contemporary art archiving project utilizing VR technology, initiated by the Nishieda Foundation, among many others. About Amy Kim Amy Kim is the founder of ARTIVIST, a cultural platform dedicated to media art, artist residencies, and international cultural exchange. She is also the director of Loop Plus, Asia’s largest media art fair platform, developed in collaboration with the Busan Metropolitan City and Loop Barcelona. Before founding ARTIVIST, Amy worked as a consultant at Deloitte, where she advised global companies and institutions. She now focuses on building international platforms that connect artists, galleries, museums, collectors, and cities through contemporary media art. About Jeffrey Ian Rosen Jeffrey Ian Rosen presently lives and works in Tokyo, Japan. Rosen is co-founder of the contemporary art gallery, MISAKO & ROSEN, Tokyo, as well as the co-president of the New York based non-profit organization, NADA (New Art Dealers Alliance); additionally, Rosen sits on the board of Los Angeles based non-profit, Contemporary Art Group (Contemporary Art Daily / Contemporary Art Library). Together with his partner, Misako Rosen and artist COBRA, of XYZ Collective, Rosen co-found the alternative project Onsen Daisakusen / Onsen Confidential (2022 and 2024), a city-wide (Atami and Tokyo) gallery hot-spring retreat and exhibition. From 2025, Rosen has sat on the advisory board of Riga Contemporary, an international art fair held in Riga, Latvia. About Willem Molesworth Willem Molesworth is a co-founder of Property Holdings Development Group (PHD Group), a contemporary art gallery based in Hong Kong that showcases and represents emerging and mid-career artists from across Asia. In addition to the gallery, Molesworth is the co-founder of PAVILION, an alternative art fair which aims to deconstruct the viewing and collecting experience, encouraging slow growth and earnest connections between gallerists and patrons. Molesworth also was the co-founder of Supper Club which ran two successful editions in Hong Kong in 2024 and 2025. From 2018 to 2021, he was a board member and vice president of the Hong Kong Art Gallery Association, where he co-organized the first two editions of UNSCHEDULED, an art fair created in response to the pandemic.

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表演

3月28日(週六)

下午5:00至6:00

Prosper / Sélavy

Prosper Legault

Composed of disparate elements gathered whilst wandering the Parisian night, Prosper Legault’s sculptures mirror the processes found within his music. Engaging with a freestyle practice, he permits words to emerge in a continuous, unmediated stream. Much like his musical compositions, these sculptures are riddles of the discarded. Having collaborated with various musicians, he has published two volumes of songs with the Red Lebanese label. About Prosper Legault A graduate of the Beaux-Arts de Paris, Prosper Legault is a sculptor rooted in the tradition of the urban flâneur. Roaming Paris by night, he gleans a visual vocabulary from discarded signage and industrial debris. These elements are reassembled with craftsman’s precision—informed by his time at École Boulle—into multi-layered, luminous compositions. By repurposing the city’s symbols, Legault creates contemporary 'rebuses of refuse', transforming urban detritus into poetic meditations on memory and consumer culture. This improvisational spirit extends to his musical practice, approached through a spontaneous, freestyle lens. Much like his sculptural assemblages, his lyrical work gathers disparate fragments into an unmediated stream. Having released two song collections with the Red Lebanese label, Legault frequently collaborates with musicians to produce works as textured as his physical installations. Whether through neon or verse, his practice explores the intersection of high art and the raw, unpolished energy of the street.

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